Sixth prahar — early night · 21:00–00:00
बिहाग
A beloved night raga of the Bilawal thaat, serene and romantic in mood. It moves on shuddha Ma in ascent and touches tivra Ma in descent (the signature M'-P-G phrase), omitting Re and Dha while rising.
Dosha effect
Vata -1 · Pitta ±0 · Kapha ±0(−2 pacifies · +2 aggravates)
Night Bilawal-family raga — the serene, settled sanchara and the soothing fold of shuddha into tivra Ma steady the vata that rises into the night.
On Venus: Tender, romantic shringara and a luminous evening palette place Bihag in Shukra's rasa of beauty and union.
Complete rendition — aalaap, bandish, and development.

Sublime flute playing - Raga Bihag: Debopriya and Suchismita Chatterjee
bansuri

Touching the heart - Raga Bihag on flute, Alap: Debopriya and Suchismita Chatterjee
bansuri

MERU Concert - Ragini Shankar on violin - Raga Bihag
instrumental

Bihag — Soulful Kirtan (Radha Raman ji's favourite)
vocal

Hare Krishna Hare Krishna Raga Bihag
vocal

Hare Krishna Mahamantra in Raag Bihag - Amarendra Prabhu | Kirtan Sessions
vocal

Raag Bihag | Saach kahon sun leh sabhai | Bhai Manbir Singh Australia | Tabla Bhai Surdarshan Singh
vocal

Re136 - Hare Krishna - Achintya Shakti Das - Raga Bihag - 9pm to 12am
vocal

Waseem Ahmed Khan: Raag Bihag
vocal
Additional recording.

Raag Bihag | Rakesh Chaurasia & Purbayan Chatterjee | Music of India
instrumental

Amarendra prabhu kirtan| Raag Bihag| Iskcon Vrindavan @PunyamKrsnaKathamritam
vocal

Hare Krsna Kīrtana- Rāga Bihāg | Amarendra Dāsa
vocal

শ্রীহরিনাম সংকীর্তন, রাগ বেহাগ। HARE KRISHNA HARE KRISHNA NAAM SANKIRTAN - ,RAAG BEHAG.
vocal