Fifth prahar — sandhya (evening) · 18:00–21:00
मारवा
Head of the Marwa thaat, sung at sunset — komal Re and tivra Ma with Pa omitted entirely and Sa touched only sparingly, leaving the melody suspended without resolution. The classic dusk atmosphere of yearning and renunciation.
Dosha effect
Vata ±0 · Pitta -1 · Kapha ±0(−2 pacifies · +2 aggravates)
Sunset raga of vairagya — with Pa omitted and Sa deliberately weakened, its suspended phrases draw the mind inward as the day's pitta subsides.
Complete rendition — aalaap, bandish, and development.

Budhaditya Mukherjee: Raag Marwa
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Ananta Nitai Das Hare Krishna Mahamantra in Raag Marva Old Recording, Tune from Barasana Dham
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Ananta Nitai Das Hare Krishna Mahamantra in Raag Marva Tune from Barasana Dham
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From Humble Prayer to Spiritual Awakening | Dr. Kirit Singh | Raag Marwa–Maru–Hindol
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Hare Krishna Mahamantra in Raga Marva
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Marva Raga Hare Krishna Kirtan
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