Seventh prahar — night · 00:00–03:00
शिवरंजनी
A pentatonic late-night raga on the Kafi thaat's komal Ga — Bhoopali's frame with the third flattened, turning calm into ache. Its codification is comparatively recent (it flowered in twentieth-century light-classical and film music), so time and vadi attributions are conventional rather than ancient — vadi/samvadi are left unstated here.
Dosha effect
Vata ±0 · Pitta -1 · Kapha ±0(−2 pacifies · +2 aggravates)
Pentatonic karuna raga of deep night — the ache of komal Ga against shuddha Re and Dha releases the heart without agitating the system.
On Moon: Its aching komal Ga in a moonlit pentatonic frame is Chandra's melancholy.
Complete rendition — aalaap, bandish, and development.

🙏🙏WORLD BEST Hari Naam Sankirtan!!Hare Krishna Hare Rama!!RAAG SHIVRANJANI!!By Pradip Das🙏🙏
vocal

HARINAM KIRTAN (Shibranjani Raag) by Achintya Nityananda Das
vocal

Harinam kirtan by Achintya Nityananda Das (Shibranjani Raag)
vocal

Kirtan By Divya Govida Das - Raag Shivranjani
vocal

Krishna Dhun | Murlidhara Manmohana | Raga Shivranjani | Jignesh Tilavat
vocal

Live Video part 5 | Raga Shivranjani | Sankirtan Mandir Jafrabad | Jignesh Tilavat
vocal

MERU Concert - Sangeeta Bhageloe and Ensemble - Thumri in Raga Mishra Shivranjini
vocal

Raga Shivranjani Unplugged | Jignesh Tilavat
vocal

Ram Dhun | Nagar Me Jogi Aaya | Raga Shivranjani | Jignesh Tilavat
vocal

Video | Ram Navmi 2025 | Part 4 | Raga Shivranjani | Sankirtan Mandir Rajkot | Jignesh Tilavat
vocal

राग शिवरंजनी साधो रे गुरु बिन गोर अंधेरा || श्याम जी राव ( बड़लियास )|| Rajasthani Classical bhajan
vocal

শ্রীহরিনাম সংকীর্তন, দেবানন্দ, রাগ- শিবরঞ্জনী।
vocal

হরিনাম সংকীর্তন। রাগ-শিবরঞ্জনী। নামকারী- শ্রী শিবদাস মোহন্ত। HARE KRISHNA NAM. RAAG SIBRANJANI.
vocal
Additional recording.

Sa124 - Hare Krishna - Based on Yugalashtakam - Raga Shivaranjini - Evening
vocal