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A dawn raga of the Bhairav thaat that joins Bhairav's komal Re to a komal Ni traditionally traced to Ahiri folk melody. Serene and prayerful, sung in the first prahar as the day begins.
Bhairavi
Prahar 1
भैरवी
Thaat
Bhairavi
Rasa
bhakti
Graha
Moon
Time
Sources draw on Sangita Ratnakara, Natya Shastra, and Bhatkhande’s Sangeet Paddhati. Dosha mappings from Charaka Samhita / Ashtanga Hridaya.
morning
The 'queen of ragas' — a sampurna morning raga of the Bhairavi thaat using komal Re, Ga, Dha and Ni. So flexible that all twelve swaras may appear in practice; sung in devotion and surrender, and traditionally offered to close a concert.
Bhatiyar
Prahar 1
भटियार
Thaat
Marwa
Rasa
bhakti
Graha
Sun
Time
dawn
A daybreak sandhi-prakash raga of the Marwa family with Bhairav touches, sung as night gives way to dawn. It blends both madhyams and a vakra, wandering sanchara into a solemn, awakening mood. (Treatment varies by gharana.)
Devgiri Bilawal
Prahar 1
देवगिरि बिलावल
Thaat
Bilawal
Rasa
bhakti
Time
morning
A rare Bilawal-anga morning raga preserved mainly in dhrupad and temple singing. Its note-forms are taught with real variation across gharanas, so the scale is left unstated here rather than fixed wrongly.
Prabhat
Prahar 1
प्रभात
Thaat
Bhairav
Rasa
bhakti
Graha
Sun
Time
dawn
A dawn raga (prabhat = daybreak) drawing on the Bhairav family — komal Re and Dha lend a prayerful, meditative serenity to the first light. A less widely codified name; this metadata reflects its Bhairav-family dawn character.
Vibhas
Prahar 1
विभास
Thaat
Bhairav
Rasa
bhakti
Time
dawn
A gentle pentatonic raga of first light — komal Re and Dha with shuddha Ga, omitting Ma and Ni (this common Bhairav-anga form; a Marwa-anga variant with shuddha Dha also circulates). Sung as the sky brightens.