Library
Filter by prahar (time of day) or rasa (emotional colour). Every card links to the full shastra-grounded detail page with every available recording. Guided practices live under Meditations.
Sources draw on Sangita Ratnakara, Natya Shastra, and Bhatkhande’s Sangeet Paddhati. Dosha mappings from Charaka Samhita / Ashtanga Hridaya.
कीरवाणी
Carnatic melakarta 21 (Kiravani) adopted wholesale into Hindustani concert practice, especially by instrumentalists — the harmonic-minor scale. Its late-night placement is modern performance convention, not an old-text prahar assignment.
मियाँ की मल्हार
The grand raga of the rains, attributed to Miyan Tansen. A Kafi-family monsoon (varsha) raga using komal Ga and both nishads, with a characteristic rocking meend; sung at night to invoke and celebrate the monsoon. Legend credits Malhar with the power to summon rain.
शिवरंजनी
A pentatonic late-night raga on the Kafi thaat's komal Ga — Bhoopali's frame with the third flattened, turning calm into ache. Its codification is comparatively recent (it flowered in twentieth-century light-classical and film music), so time and vadi attributions are conventional rather than ancient — vadi/samvadi are left unstated here.