Library
Filter by prahar (time of day) or rasa (emotional colour). Every card links to the full shastra-grounded detail page with every available recording. Guided practices live under Meditations.
Sources draw on Sangita Ratnakara, Natya Shastra, and Bhatkhande’s Sangeet Paddhati. Dosha mappings from Charaka Samhita / Ashtanga Hridaya.
मधुवंती
A twentieth-century raga now firmly in the concert canon — komal Ga with tivra Ma over shuddha Re and Dha, sweet and faintly wistful ('madhu' — honey). Sung in the late afternoon; its attributions follow modern pedagogy rather than old shastra.
पहाड़ी
Not a codified raga but a folk dhun of the Himalayan foothills adopted into light-classical and devotional singing — a Bhoopali-like pentatonic frame taken with free, song-like liberties. Dhun and kirtan singers love its open sweetness; suitable at any hour, so it sits outside the prahar rotation.
शृंगार परिवेश
Modern ambient instrumentals in an Indian-classical idiom made for romance and rest — sitar, sarangi and drone textures over long, slow arcs. Not codified ragas: no raga is named and the pieces follow mood rather than grammar, so they sit outside the prahar rotation as anytime shringara listening.